Hafez: Divan

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His strong logic, his clear and radiant technique for knowing the truth, his radiant appearance, and his pure nature, and his being like the sea, make it clear to all. The Persian poet Hafez (1320-1389) is best known as a Sufi mystic who incorporated elements of Sufism into his verses. The state of God-Realisation is symbolised through union with a Beloved, and drinking the wine of spiritual love. He was trained in calligraphy at first by Isa Rangkar and then Malek Deylami. Mir Emad later on moved to Tabriz to study with Mohammad Hossein Tabrizi. They are present everywhere, from the halls of the House of Elders to the remote cottages of the Iranian peasants. With a miracle that can only be imagined for them.

Hāfez was a Persian poet whose collected works (The Divan) are regarded as a pinnacle of Persian literature and are to be found in the homes of most people in Iran, who learn his poems by heart and still use them as proverbs and sayings. So the Sufist deification (or re-deification) of wine and of the wine keeper as well as the Madhushala (मधुशाला) and the neo-Platonian conception of the divine as Absolute Beauty all meld together in Hafiz’s poetry to form an intoxicating yet deeply sad mix. Here again we can notice the parallels between medieval poetry of Chaucerian English and the personal lyric poetry of the Persians.

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Hafiz’s poetry (and in fact much of oriental poetry) seems disconnected to the modern ear - drawing criticism such as being ‘oriental pearls strung on a random sting’ - but this is because they were not influenced by the ‘beginning-middle-end’ Aristotelean conception of structuring.

The Divān of Hafez was probably compiled for the first time after his death by Mohammad Golandam. [3] However, some unconfirmed reports indicate that Hafez published his Divān in 1368 (770 AH), meaning it was edited more than twenty years before his death, but no such version exists. There are several famous manuscripts in Iran, Europe and other places that belong to the second and third quarters of the 14th century, from thirty to sixty years after the poet's death, and the most authoritative of them are less than 500 ghazals. Subsequent versions contain 600 ghazals and more. In 1958, Parviz Natel-Khanlari published a manuscript from around 813 AH that contains 152 ghazals in terms of good text. Derived manuscripts, sometimes describing Persian, Turkish, or Urdu, continued over the next four centuries. [4] In Hafez's poem, 23 rhythms and 10 prosody metres are used. [5] Works and legacy: "Adab al-Masq", a dissertation on penmanship, is attributed to Mir Emad. Goharshad, Mir Emad's daughter, was also an adept calligrapher. So was her husband, Mir Mohammad Ali and her sons Mir Rashid, Mir Abd al-Razzaq and Mir Yahya. His collected works are regarded as a pinnacle of Persian literature and are often found in the homes of people in the Persian speaking world, who learn his poems by heart and still use them as proverbs and sayings. Without keeping in mind the two major currents of religious influence in Persia at the time: Shi’ism and Sufism (font of much of the lyric poetry of the time), Hafiz cannot be fully appreciated. The suffering and pathos of early Shi’ism and the pantheism and the life-celebration of Sufism comes together in Hafiz to form an exhilarating yet humanizing mix that has given it such grandeur and such an endearing personal quality, allowing it to transcend time and still touch our hearts. Moʿin, Moḥammad (1996). Ḥāfeẓ-e širin-soḵan (in Persian). Vol.1. Tehran: Sedāye Mo′āser. ISBN 978-8-843-59843-4.Add to all this the consideration that these were meant to be sung and not to be read and were composed mostly impromptu on the urging of an unforgiving patron and we can begin to see the true genius of the poetry. Hafiz" is known as "the tongue of the unseen", his gazelle has something that satisfies everyone. The perfection of beauty, the extraordinary insight, and the greatness of thought have placed him among the other greats of words. The sonnets of 1 to 100 divans of Hafez Shirazi with the possibility of presenting the divination of Hafez and their complete interpretation in three languages In this program, the sonnets of 1 to 100 divans of Hafez Shirazi have been collected with the possibility of presenting the divination of Hafez and also their complete interpretation in three languages: Persian, English and French, which will be provided to you. You can always have the Hafez horoscope program with you and share it with those around you. Support for 3 languages: Persian, English and French for those users who are less fluent in Persian.

The following are a few more pointers that are not applicable to Hafiz alone but for much of oriental poetry. I have found it important to keep such distinctions in mind to understand poetry that at first glance seems outlandishly far-away. While much of this comes from the translator’s notes, it might be useful advice for reading other beautiful works too. This application provides you with the 495 sonnets (Ghazals) to either just read through or enjoy Fal . After Tafaool (making your wish), Just shake your device and get a new sonnet . A mere fraction of what is presumed to have been an extensive body of work survives. This collection is derived from Hafiz's Divan (collected poems), a classic of Sufism. The short poems, called ghazals, are sonnet-like arrangements of varied numbers of couplets. In the tradition of Persian poetry and Sufi philosophy, each poem corresponds to two interpretations, sensual and mystic.Hāfez (حافظ) (Khwāja Shams-ud-Dīn Muḥammad Ḥāfeẓ-e Shīrāzī) was a Persian poet whose collected works (The Divan) are regarded as a pinnacle of Persian literature and are to be found in the homes of most people in Iran, who learn his poems by heart and still use them as proverbs and sayings. Mir Emad was born in Qazvin, Iran, where he had his early education. Mir Emad's family had librarian and accountant positions in Safavid court. Khwāja Shams-ud-Dīn Muḥammad Ḥāfeẓ-e Shīrāzī, known by his pen name Hafez (Ḥāfeẓ 'the memorizer; the (safe) keeper'), was a Persian poet. And Hafiz’s genius is the extraordinary degree to which they become vivid, natural and spectacularly personal in his hands.