How to Be a Graphic Designer, Without Losing Your Soul

Product Information

Whether this has anything to do with me having/not having a soul I’m not sure yet but good read nonetheless. There is a lot of practical information, but it also gets into the thinking and philosophy that is the foundation for a successful design career. It also discusses the benefits/downsides of getting a job in a studio, in-house, as a freelancer, or setting up your own studio.

This new, expanded edition brings this essential text up to date with new chapters on professional skills, the creative process, and global trends that include social responsibility, ethics, and the rise of digital culture. I'm glad I continued because the rest was a gem, full of discussions and ideas that I've been thinking and talking about for years. While this book does cover mostly freelance work where you engage with each step of the design process, Adrian brings us back again and again on how we can work with clients and ourselves to keep our ideas in our designs (for the most part).A handy book that I have recommended to my design students, mainly to help give some of the anxiety in their head some empathy and to look forward. viel markiert), die interviews am ende hätte es nicht gebraucht, verstehe nicht ganz was sie bringen, sie stören irgendwie, das buch hätte auch ohne abschlag davor enden können.

Regarding design briefs, he offers some good suggestions: take up a role of scepticism and interrogation towards them, be wary of conventional wisdom, rely very much on common sense, and look for what is missing from the brief (which is often the key to unlocking really successful work).After 19 years as a Graphic Designer and Photographer for a management consultancy, I recently grabbed voluntary redundancy. The book is split up into sections based on different areas of being a graphic designer… finding a job, working for yourself, or someone else, freelance work, setting up a studio, which are all useful regardless of whether you think it’s relevant to you or not.

Please select the alternative 'tracked postage' option at checkout for full cover on more valuable items! It weighs the advantages of working for a firm versus going freelance, talks about the process of finding clients and proposing work, and provides a number of other pragmatic tips for the working designer.it is full how grate ideas and ways of thinking and apart from the small out side margin (witch i wish was 5 mill bigger) is beautifully presented. It would be more accurately titled The Practical Aspects of Being a Designer That No One In Art School Bothered To Teach You. If you are in the same situation, with a person who's just settling in in this industry don't hesitate getting this book! There is a lot of practical advice about finding the clients, setting up a studio, working as a freelancer and overcoming your fear of failure and fear of ideas. The book also includes inspiring new interviews with leading designers, including Jonathan Barnbrook, Sara De Bondt, Stephen Doyle, Ben Drury, Paul Sahre, Dmitri Siegel, Sophie Thomas, and Magnus Vol Mathiassen.

Some of the advices were also outdated, but you can still get the valuable learning from it and adapt it to modern technology or practice today. I was a little bit aware of the unpleasant truths and tasks I need to work on as a graphic designer.

hiemloch sehr gut, sollte man direkt nach oder noch während dem studium lesen, lehrt viel über das arbeiten als designer (auch wenn der titel esoterischer klingt als der inhalt hergibt, demn wie man jetzt seine seele nicht verliert, hab ich jetzt auch nicht unbeding gelernt. You can change your choices at any time by visiting Cookie preferences, as described in the Cookie notice. I think the not losing your soul is about pushing towards where you want to see graphic design headed, and not just designing solely for the sake of a paycheck.